SPOILER ALERT- We are about to give a lot of really good plot points away, so blur your eyes and move on if you haven’t seen most of these shows. We made a post complaining about bad plots on good shows, so it's only fair that we do a positive post to counteract it.
24, The end of first season - If you haven’t seen it, we aren’t even going to risk blowing it for you. Stephen King’s entertainment column blew it for Ern, and it took her a long time to forgive him for that. It helped that he’s awesome. Anyway, the one-two punch of the plot twists at the end of this show’s first season made everyone sit up and notice that this was a show that wasn’t afraid to do anything to its characters to shock and tell a good story. Honorable mention: Season five. Yes, the whole season.
LOST, the first flash forward - They have to go BACK? What?!?! They got off? No freakin way. One of us is still freaked out about this. The other blogger was spoiled. GER. Honorable mention: Ben talks Locke down from killing himself and then, once Locke says the wrong thing, strangles him. We were all touched that Ben talked his old enemy out of giving into despair when, suddenly, Ben murders him. Tell us you weren’t holding your breath during that entire, amazing scene. LOST had plenty of amazing twists (Locke’s in a wheelchair, the others aren’t savages, etc), but this one scarred us for life.
Arrested Development, Buster gets his hand bitten off by a seal - This one paid off in humorous spades. It was foreshadowed for at least half a season, and we will always chuckle when we think of Buster screaming, “I’M A MONSTER!!!!” It was one of the weirdest, best plots in Arrested Development history. Honorable mention: The Maebe/George Michael love, especially at the end of season two where they kissed and the floor caved in under them.
Sex and the City, The Big/Carrie affair - We were amazed at how this show handled adultery without making us hate Carrie for having the affair. It helped that she was super remorseful about it through the entire arc. The affair was exciting, we were heartbroken for Aiden (bonus points for bringing him back), and it ended without any Taylor Swift-esque romanticism or unrealistic TV fantasy. Honorable mention for this show: The entire Steve/Miranda arc. Also, Smith taking Samantha back after she slept with Richard and her final appreciation of Smith’s big-heartedness and maturity. The way the show had the four characters grow up and embrace parts of themselves that they had previously rejected was excellent.
Scrubs, The Dr. Cox/JD relationship - Turk and JD were hilarious, but Dr. Cox and J.D. were funny AND poignant. You know you were rooting for JD to finally get that hug. Dr. Cox’s love of JD and reluctance to get close him kept us crawling back to Scrubs for more of their great dynamic.
In Treatment, Paul does not sleep with Laura - So many people loved the Laura storyline, because she was hot and in love with her therapist. We found his struggle to resist her to be tiring, and the only thing we like about this plot arc is that he did not sleep with her in the end. We are also glad that the therapist in love with the patient thing is over and done for this show. Now we can get to interesting patients like Sophie, Walter, April, and Oliver, which are this blogger’s personal favorite patients. Once a patient on this show gets under your skin, their episodes become an addiction. You can just watch these four and get a nice experience with this show. Speaking of this show, it’s back on now, and we are watching. It’s fantastic because it keeps you glued to the screen just through two (usually) good actors talking to each other for 22 minutes.
Friends, Monica and Chandler hook up at Ross’ failed wedding and start a relationship - Did you scream back in the ‘90s when Chandler and Monica popped up in the same bed the morning of Ross’ wedding? We did. That relationship kept life in the show long after it started being more soapy than funny. “The One Where Everybody Finds Out (about the relationship),” was one of the funniest Friends episodes.
Gilmore Girls, Rory doesn’t marry Logan at the end - If she wasn’t going to be with Jess at the end (we know, we know, most of you disagree with us in our Jess love), we were glad that the show left her life open-ended and didn’t have her be “the little woman” to a rich, hot guy. The way Rory’s life journey was just beginning was a nice thing on which to end the series. Lorelai, on the other hand, had closed many chapters of her life, ended up with the right guy (at the very, very end), and was in a stable career that she loved, which is how we wanted to leave our flighty, high-spirited heroine. Honorable mention: Anything with Kurt.
Alias, Sydney and Co. bring down SD-6 in the middle of season two - Way to not drag out a plot, show. We love when that happens. When the SD-6 thing was dragging, the show knew how to shake things up by freeing the characters from their double-agent statuses and moving on to other fish. Honorable mention: The pilot of this show is one of our favorites.
Dexter, The Trinity arc - DUH
Gossip Girl, season two Chuck and Blair - Chuck and Blair falling for and eventually committing to each other was the high point of this show for us, by far.
Glee, Sue trying to take Will down - Let’s face it: plots are not Glee’s strong suit, especially this season. We like the songs, the messages of inclusiveness, the tone, the individual characters, and the jokes. But one thing the plotters got right is having the enemy of the arts NOT be just some parent who doesn’t understand/wants his son to play sports. That is tired, and it was already done on
High School Musical. Having the bad guy consciously, evilly attempt to sabotage the rival group was pure genius. Honorable mentions - Puckleberry. Bring that back, show. Also, Tina's goth look. Maybe this doesn't qualify as a plot or a twist, but we like it. Just sayin.
The Vampire Diaries, Everything on the show - This show is just one good plot point and plot twist after another. We can’t even count the times we’ve gasped while watching this show. At least once per episode. An episode that stands out for Ern is the one where Stefan tried to stop drinking any blood, hoping that he would die. Lots of young people struggle with depression and suicidal thoughts, and this show lightly touched on this subject in this episode in a powerful, touching way. Stefan’s final decision to fight and keep trying sent out messages to teens that this was the strongest decision he could have made for himself and his loved ones. Message episodes can get heavy-handed and usually makes our eyes roll, but this one toed the line between profound and preachy perfectly. This is the episode in which the show garnered Ern’s respect. Leeard loved the season one finale and the season two premiere, as well as the most recent episode. Actually, Leeard is obsessed with every episode of this show, haha.
The Office, Jim and Pam’s budding romance - Obviously the best plot on this show was the early Jim/Pam dynamic. Roy treated Pam like crud, and Jim treated her with respect and affection, providing a contrast that was meaningful, funny, and edifying of nice guys everywhere. Honorable mention - Dwight and Angela, Holly and Michael.
The United States of Tara, The appearance of the feral alter, Gimmee - Gimmee is horrific and hilarious at the same time. It really shows how out-of-control and serious Tara’s mental illness is. When we first saw it, we muttered, “What the hell?” It’s a shadow of what must be a hideous and frightening past. We are still watching this show because we wonder what sort of events could have created something as weird as Gimmee?
South Park, The Kyle/Cartman relationship - The greatest part of this show, for us, is seeing these two war against each other season after season. These two are foils, and their hatred for each other combined with some sort of obligatory friendship always entertains. For Leeard, the best single episode plot twist HAS to be when Cartman fed Scott Tenorman his parents. Looking back, it's pretty predictable, but MAN was it shocking the first time.
Grey’s Anatomy, the Addison/Derek/Meredith triangle - No triangle on this show will ever rival this one. It gave the show a core issue that everyone was invested in. It was good because we loved both women. Addison was cool! Her relationship was doomed, but we were sad to see her hurt. And yet… Honorable mention - The first half of the Hunt/Cristina relationship. Watching them fall in love in season five was riveting. We had the choking, the way they didn’t fall immediately into bed together, and the way it softened Cristina and showed us another side of her. Sandra Oh rocked this plotline, and we think it overshadowed the disaster that was the Dead Denny season five plotline (no mean feat).
There are so many more. Give us yours?
