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Saturday, January 1, 2011

Tangled

Tangled is funny and sweet, and it also succeeds as a story about control and fear. It has songs, dancing, frolicking, a romantic boat ride, sacrificial love, brilliant Disney animals with unrealistically heightened consciousnesses and personalities, a villain (who is more realistic than most Disney villains), a princess, and a better version of a classic story.

Mandy Moore is adorable as the voice of Rapunzel, and Chuck's Zachary Levi takes on the male lead. Disney is trying to appeal more to boys, so they named this Tangled and put the male lead at the center of the advertising campaign. Enjoy this one, because according to news outlets, Disney is pulling the plug on princess movies. Little girls no longer want to be princesses. Studies show that they are more interested in being "hot" and "cool." Yeah, that's a little sad. We enjoyed this old-school Disney fairy tale and its innocent/non-cynical content.

We went with no kids, and everyone liked it. Everyone in the group (except one guy) teared up. The kids behind us seemed to like it too. Good, clean fun. It’s not as good as some of our favorite recent kids’ movies (Finding Nemo, How to Train Your Dragon), but if you want to see this, you won’t be disappointed.

Movie Grade: A

Devil

We heard that we should see this at home, on DVD, rather than in theatres, so we did. This was great advice, because Devil was not worth paying ten bucks each to see. It is an M. Night Shyamalan horror movie that is rated PG-13, which means it isn’t gory or that scary.

It was mildly entertaining, and there were some interesting parts. It was better than his last couple of movies (Lady in the Water and The Last Airbender). We also liked that M. Night is giving unknown actors opportunities. But, overall, if you miss this one, you shouldn’t worry. If it’s on TV some day and you are doing laundry, watch it.

Leeard's side note: I will never see Devil. I got trapped in an elevator the day after it came out in theaters, and the ONLY thing I could think about was this movie.

Movie Grade: C

Wednesday, December 29, 2010

When Do Your Shows Start?

January 2, Sunday
-ABC: Brothers and Sisters at 10, Desperate Housewives at 9

January 3, Monday
-ABC: The Bachelor at 8, Castle at 10
-CBS: Hawaii Five-O at 10, How I Met Your Mother at 8, Mike and Molly at 9:30, Rules of Engagement at 8:30
-ABC Family: Pretty Little Liars at 8

January 4, Tuesday
-NBC: Parenthood at 10, The Biggest Loser Couples at 8
-ABC: V at 9, Detroit 1-8-7 at 10
-CBS: Paula Abdul's Live to Dance at 8
-TNT: Southland at 10

January 5, Wednesday
ABC: Better with You at 8:30, Cougar Town at 9:30, The Middle at 8, Modern Family at 9
DirecTV 101: Friday Night Lights at 9
FOX: Human Target at 8
NBC: Law & Order: Special Victims Unit at 9

January 6, Thursday
CBS: The Big Bang Theory at 8, CSI at 9, The Mentalist at 10,
ABC: Grey's Anatomy at 9, Private Practice at 10, Wipeout at 8

January 7, Friday
CBS: Blue Bloods at 10, CSI:NY at 9, Medium at 8
SyFy: Merlin at 10

January 9, Sunday
NBC: The Cape at 9

January 10, Monday
FOX: Lie to Me at 9

January 11, Tuesday
CBS: The Good Wife at 10, NCIS at 8, NCIS:Los Angeles at 9
FX: Lights Out at 10
MTV: Teen Mom 2 at 10

January 12, Wednesday
NBC: Chase at 9
CBS: Criminal Minds at 9
ABC: Off the Map at 10

January 16, Sunday
HBO: Big Love at 9

January 17, Monday
NBC: Chuck at 8, Harry's Law at 10
SyFy: Being Human at 9
Fox: House at 8
MTV: Skins at 10

January 18, Tuesday
CW: Life Unexpected at 8
USA: White Collar at 10

January 19, Wednesday
FOX: American Idol at 8

January 20, Thursday
NBC: 30 Rock at 10, Community at 8, The Office at 9, Outsourced at 10:30, Parks and Recreation at 9:30, Perfect Couples at 8:30
Fox: Bones at 8
USA: Fairly Legal at 10, Royal Pains at 9

January 21, Friday
Fox: Fringe at 9
Starz: Spartacus: Gods of the Arena at 10

January 24, Monday
CW: 90210 at 8, Gossip Girl at 9

January 25, Tuesday
CW: Hellcats at 9, One Tree Hill at 8

January 27, Thursday
FX: Archer at 10
CW: Nikita at 9, The Vampire Diaries at 8

January 28, Friday
CW: Smallville at 8, Supernatural at 9

February 4, Friday
CBS: The Defenders at 8

February 6, Sunday
Fox: Glee (after the Superbowl. This show will be on Tuesdays starting the following week)

February 7, Monday
Fox: The Chicago Code at 10, Traffic Light at 9:30

February 8, Tuesday
Fox: Raising Hope at 9

February 20, Sunday
CBS: The Amazing Race at 8

February 23, Wednesday
CW: America's Next Top Model at 8

February 28, Monday
NBC: The Event at 9

March 29, Tuesday
ABC: Body of Proof at 10

Did we miss a show you need? Comment and tell us. Unless it's Two and a Half Men or Family Guy, two shows we intentionally ignore. Be sure to check the "Recent Interesting Links" page to see some commentary on the new shows premiering.

Glee's Chord Overstreet is Clearly as Awkward As His Character, Sam

http://www.youtube.com/watch?v=zJgA_yEZT_g&feature=player_embedded

Monday, December 27, 2010

Why Ern Hates Twilight - an old rant, edited/re-worked for this blog

Leeard is out of town and unable to get on the internet today. This leaves Ern full reign to trash one of Leeard's favorite books (Leeard's side note: this is NOT one of my favorite books for any other reason than it's mindless and easy to read. In terms of quality, it's not even on my list) on the blog. (Pause for evil laugh.) You may be thinking, "Twilight has been trashed to death...do we really need another blogger trashing it?" The answer is, of course, yes, because it is Twilight, and it cannot be trashed ENOUGH. Now, Leeard AGREES with Ern on most of these points and is certainly smart enough to notice them herself. (You don’t know this, but Leeard is a bona fide genius. It scares me.) We have argued about Twilight before, and Leeard just says that she is able to enjoy it in spite of these things. But I can’t.

I read the first book and thought it was among the stupidest, most self-indulgent things ever written. Alice was kind of a cool character, but she was hardly in it!!! Toward the end, when I realized that nothing was going to happen except two pretty people making googly eyes at each other, I threw the book across the room. I shipped it off to some unknown purchaser (via Amazon), along with a scathing letter to them for buying it from me. I read it because it was popular. I trust my fellow man and I want to discuss things with people. People keep comparing them to Harry Potter. This isn’t right. Harry Potter was about courage, love, anti-materialism, equality, anti-prejudice, etc. Twilight is just a bunch of gush. Harry Potter appealed to millions of people of all ages and genders, all over the world, of different religions, cultures, intellects, and interests. It was truly special. Let’s face it, Twilight appears to girls, young women, and sad old women in the West. That’s it. After I finished “shitelight,” to see what happens later without wasting hours of my life, I read the summaries of the next three books on Wikipedia. Now, I like vampires most of the time, because I think when you get immortal beings with unlimited power, youth, good looks, and money, an author can show how miserable that is. They can show how what humans think they want is the opposite of what they are made for. I also like books set in high schools, and, sometimes when it’s good, romance. But this…ergh.


Things I didn’t like:
• Edward is borderline abusive. His “best” quality is that he loves Bella obsessively. This shows that many girls don’t care about who a guy is, just how he makes them feel about themselves or how obsessed with them a guy is. His abuse manifests itself in little scenes like when he lies to her, takes the engine from her car so she can’t go visit another man, watches her when she sleeps, says creepy things like, “You are my life now,” and beats her to a pulp the first time they have sex (unintentionally, of course). He apologizes profusely, but she insists it wasn’t that bad and that it was “perfect.” Lots of people are thinking, “No, no! He’s just protective of Bella and concerned for her safety!” Nope. In real life, that’s a red flag.
The Domestic Violence Guide lists characteristics of domestic violence:
1.       constantly criticize you and your abilities as a spouse or partner, parent or employee?
2.       behave in an over-protective manner or become extremely jealous?
3.       threaten to hurt you, your children, pets, family members, friends or himself?
4.       prevent you from seeing family or friends?
5.       get suddenly angry or "lose his temper"?
6.       destroy personal property or throw things around?
7.       deny you access to family assets like bank accounts, credit cards, or the car, or control all finances and force you to account for what you spend?
8.       use intimidation or manipulation to control you or your children? hit, punch, slap, kick, shove, choke or bite you?
9.       prevent you from going where you want to, when you want to, and with whomever you want to?
10.   make you have sex when you don't want to or do things sexually that you don't want to do?
11.   humiliate or embarrass you in front of other people?
Edward qualifies for 7 out of 11
• The author writes most of her guys as controlling like this. The other guy after Bella, a werewolf, forces her to kiss him and talks about suicide if she doesn’t stay with him. Clearly, these guys are both drama queens who need a healthy dose of Xanax.
• Romeo and Juliet style, in the second book when they cannot be together, Bella mopes around, acts depressed, and nearly kills herself by jumping off a bluff (according to Wikipedia). When Edward thinks Bella is dead, he tries to have some super-bad vampires kill him. This is pretty much the plot of that whole book.
• Bella is selfish, psychotic and clearly unable to function without a man.
• He’s 107 and she’s 17. Statutory rape, duh. And why would an adult want to be with a child?
• He’s a 107-year-old virgin. This is probably because the author is a Mormon (which is fine, but doesn't make for realistic non-Mormon character behavior when you project your values on them). 107 and a virgin. How unlikely is that? This is clearly a deep-seated, stupid fantasy for this author. Realistically, as a Godless guy, he would have had sex by now. Mormons can pull that off; vampires usually can’t. Twilight lovers will argue, “He didn’t have sex because he was afraid of killing the human he sexed up.” So in 107 years, he didn’t find another vampire?
• One of the main vampire problems is solved because in this series, vampires can live off animals. This takes the bite completely out of the topic of vampires. It makes it more friendly, but it conveniently robs it of conflict and makes vampirism look attractive. It makes vampirism look attractive a LOT, actually. And usually it isn’t. Usually the lesson is to accept the life you’ve been given. Not in Twilight. In Twilight, the lesson is that living forever is the happy ending and that you should totally leave your family for a guy before you are old enough to drink.
• Half of the first book is just a description of how good-looking the guy is. Take a look at this little gem another blogger pointed out: “He lay perfectly still in the grass, his shirt open over his sculpted, incandescent chest, his scintillating arms bare. His glistening, pale lavender lids were shut, though of course he didn’t sleep. A perfect statue, carved in some unknown stone, smooth like marble, glittering like crystal.” Yes, that’s in the book. That's some of the better writing in that book too.
• The main character’s name is “Bella Swan.” Has anyone thought about this? Also, Bella is one of those flat, weak, passive girls. She falls all the time just to give the main guy character an excuse to pick her up and carry her around. This happens a lot. Bella is not interesting because the author intends for Bella to have no real faults. She describes herself as “plain”, but as soon as she arrives at a new school, every guy is after her. So either she is stupid, afflicted with false modesty, or written so as to not have a fault like pride that freakin’ everybody has.
• Edward is the main male love interest. He is jealous, flat, obsessive, intense, and not nearly mysterious enough. In the first movie that came out this last year, he was played as if he had Aspergers Syndrome. (I saw it with a friend to laugh and then I realized that I was just giving MORE time to Twilight. Yeah, sometimes I make bad decisions. The movie is long, boring, unintentionally funny, and plotless. All that happens is the two fall in love and look at each other for a long time. They don’t even fall in love for any good reason either. Then there is some violence tacked on at the end.) They are going for dark and brooding, but it comes off as creepersville to lots of people.
• Bella gets pregnant and decides to keep the baby, even if it might kill her. Because, to Mormons, there is nothing worse than getting an abortion, except for maybe having sex before marriage. Most rational people, even pro-life people, think it’s ok to have an abortion when the mother’s life and health are at-risk. But the author has her own politics to push. There is a whole gross birthing scene where it’s like half vampire and it shatters her spinal cord or something. She survives (darn). Someone told me that Edward ate the placenta. Actually, that’s kind of awesome/hilarious.
• They go to the prom at the end of the first book. Also, Edward can't go into the sunlight....otherwise he GLITTERS. Gasp! It’s so lame.
• It’s poisoning pre-teen girls’ minds, giving them ridiculous notions about men and love, give up everything (including their souls) for a boyfriend, and teaching them to act pathetically for months after a boyfriend leaves them. Also to cut off family and friends and other interests for the boyfriend.
• It gives girls unrealistic, unhealthy expectations. It’s emotional porn with no other substance. Girls want to be desired and treasured, and that is why these books are so popular. But guys are people too. They are going to have bad days, they are going to dislike things about you sometimes, and they are going to have other interests besides you. Furthermore, they are not going to be obsessed with you right away, to that level, or it’s going to be too weird.
• The books are unoriginal. It’s a complete rip-off of other (better) vampire romance books. Young readers are better off sticking with The Hunger Games, Divergent, Harry Potter, or the Mortal Instruments series.



But this is my main reason---
Even though the main focus of Twilight is that it’s a love story, I would argue that the kind of love Twilight contains isn’t love at all. This quote sums it up. Talking about a song he wrote about struggling to hang onto yourself and your goals while living in a marriage, Switchfoot lead singer Jon Foreman said-- “In our barcode media, love is often portrayed as consumption. As consumers in a commercial driven culture we can begin to view other souls as objects, or potential cures for our deepest fears and insecurities. ‘Perhaps if I found the right lover I would no longer feel this deep existential despair.’ But of course no human soul could be the Constant Other, the face that will never go away. Only the infinite can fill that role. But the silence can be deafening. It's a fearful thing to be alone. Do you love me enough to let me go? ‘I can't live without you’- ‘I would die if you ever left me’- These are not the songs of love, these are the songs of consumption.”

For more Twilight bashing, see these funny videos, where a British recording artist reads the books and adds his commentary. We like his accent: http://www.youtube.com/watch?v=2L253VLwH3w

True Grit

True Grit is advertised as a serious Cohen Brothers Western, along the lines of No Country for Old Men, only set earlier. True Grit is also advertised as being an action movie. This is not the case.

Anyone seeing True Grit should be aware that they are seeing a dry, talky comedy, with a little action doled out every thirty minutes or so. It IS funny, if that’s your sense of humor, but sometimes it was hard to hear what the characters were saying. The little girl in the movie spoke quickly, and the others had growly accents and didn’t open their mouths very wide.

We DO recommend this movie, but we recommend that you see it at home, with subtitles, because the dialogue is the movie, and you want to understand it.

Movie grade: B

Sunday, December 26, 2010

The Fighter

Checklist (if you check “yes” next to these lines, you should see The Fighter)

-I like Amy Adams, Mark Wahlberg, and/or Christian Bale.

-I like sports movies.

-I like true stories.

-I like boxing movies.

-I like a movie to be entertaining the whole way through.

-I like some comedy in my dramas.

-I want to see Christian Bale elevate an otherwise normal sports movie with a performance we’ve never seen from him before.

-I want to see Christian Bale play an affectionate coke addict.

Basically, if the idea of this movie appeals to you, the movie will appeal to you. We think it’s one to wait and rent on video though. There is no reason to see this on the big screen. Christian Bale’s funny character will come through on DVD just as well as it does in theatres.

Amy Adams is also good, and her character is a real spitfire. She also has some meat on her bones, which is both realistic for the movie and ballsy for the actress. We approve.

Movie Grade: B+

Freedom by Jonathan Franzen - Mostly spoiler-free review


We just finished the much-lauded Oprah pick Freedom by Jonathan Franzen. We thought the book was smug. There was lots of commentary about the world today, but it didn’t feel like the world we live in. There is some real joy, loyalty, and purpose left, believe us. If our lives were like this, we would kill ourselves. The book was populated by mostly judgmental people with many values, but all the values were shallow, unimportant and based off of being better than other people. The characters were fully-formed, but not relatable; Joey was almost relatable, and he made a wise, redemptive decision before the curtains closed. Patty was the most likeable (even though she would hate US with our flip-flops and headphones.)

We liked a lot of the commentary on the culture, even if it was smug and mostly pessimistic. This book was full of insightful social commentary, politics, and character development, but it felt absolutely spiritually dead. It was trying to be really deep and substantial, and it only reached that level every 100 pages or so. There WERE some brilliant moments, but they got lost in the overall tone and story that made us want to switch books.

We weren’t asking for some sort of religious book by any means, but atheists have a spiritual side too, and these characters were just completely dead, spirit-wise. It’s hard to ask a reader to spend more than 500 pages with them. It was weird that this book ended on a hopeful note, because most people who would make it to the end of this glum, hero-less book probably wouldn’t value a positive finale. Two of the women in this book were absolutely disgusting (Connie and Lalitha) because of the way they worshipped their men so much that they ran their lives into the ground and ended up as nothing but pliant strumpets that made us want to hurl.

There was good writing, nice character background and interesting exposition. We’d like to see what Franzen does with a good story. This story was about a bad marriage/dysfunctional family. You’ve heard it before. You’ve seen it before on countless screens. We suppose all the commentary and the picture of our society was supposed to elevate the story to more than another failed marriage story, but it would have been an amazing book with that commentary and more of a story.

We are wondering if we should read The Corrections. This was a technically good book that plenty of people admire. But we think there are two reasons to read a book: 1) the enjoyment 2) to learn something. This book did not bring us either bounty. The first 187 pages were really good, but then it hits a dull stride until close to the end. It pointed out things that we have already seen, that we are tired of seeing.

You know how there are books that you buy, read 200 pages of, and then never finish? We predict that if you buy this book, it is going to turn out like that for you.

Book quality grade: B
Book enjoyment grade: C-

Thursday, December 23, 2010

The Walking Dead - Season 1

If you’re alive and watching TV, you’ve heard of The Walking Dead, the supposed best new show of the fall season. First of all, this says very little because only a few of the new shows were worth even giving a chance. We’ve now (belatedly) watched all six episodes of season one. Here’s what you need to know:

1) It’s overrated. It’s not as good as everyone says it is. We’ve heard the comic is superior. It’s hard to live up to that kind of hype in six episodes though.

2) It’s still pretty darn good. Completely worth watching.

3) The characters are decent, but some of the acting isn’t.

4) The guy Keira Knightley kissed in Love Actually plays the main character.

5) It’s absolutely disgusting. The gore is at a level rarely seen, even in most zombie movies. Some people like that.

6) The show did a LOT in six episodes. It established its characters and had some exciting moments.

We will be checking back in next year to see season two, no doubt. We can’t wait to see what The Walking Dead does with a full season. It could turn into another obsession for us; it's definitely got the potential. This further establishes AMC as an essential player in TV right now, with Breaking Bad and Mad Men already major hauls for the network. We’re impressed. If you missed it and can’t find it online, the show encores Tuesday, January 18 and Wednesday, January 19 at 8:00 on AMC. If you can take the gore and have any interest at all, you should catch up before the new season (which should take a while to come out).

Season grade: B+

Tuesday, December 21, 2010

Movies That Were Messed Up, But You Became a Little Obsessed with Them Anyway

Sometimes you see a movie, and there was something pretty weird or disturbing in it, but you liked it anyway. These movies stay with you, because they get you on a visceral, almost fetish-y level. One of our sisters called a blogger and said, “I just watched this movie called The Girl with the Dragon Tatoo. I really liked it, but it was weird at the same time. Can you think of another movie that will freak me out? I like those.” After contacting the other blogger, we have come up with our list of movies that are not for everyone but that we will never forget.

First, we agree with The Girl with the Dragon Tattoo - One of us thinks those books are dry, poorly written, and about as boring as a textbook, but no one can deny that the main female character is worth getting to know. The movies bring her dark side, past, and undesirable experiences forth in a way that sticks with you, even though you’re not gonna like it. Plus there’s a rape scene. Yikes.


American History X - That’s at the top of Leeard’s list, in particular. It's about a skinhead who finds redemption.

Quills - This is the first movie that came to mind after the phone call. It takes place in an insane asylum (always a good place to start for this sort of thing), and it is, largely, about sexual desire and expression. It has Kate Winslet, Geoffrey Rush, and Joaquin Phoenix in it, so you know that acting is right on. This one lingered in the brain pan for about a week after we saw it. Hard to watch, and disgusting, but interesting.

The Last King of Scotland - When the Scottish guy goes looking for the young wife after her abortion, close your eyes as he descends some stairs into the basement, or you are going to see the most disturbing image in the history of Ern’s movie viewing. The rest of the movie is no walk in the park either, but this mostly true story is worth looking into.

The Lives of Others - This one isn’t disturbing, but it’s stirring. Maybe it doesn’t go with the rest of the list, but it’s very good, and it stays with you. It’s not necessarily happy.

Sophie Scholl: The Final Days - This is a true story about a college-aged girl who opposed the Nazis, distributed anti-Nazi literature, and totally got caught. But in an age where everyone is trying to be cool and master “the science of cool,” this is a move that will show you what cool really looks like. While you are bawling your eyes out.


United 93 - Ern doesn't do a lot of crying, but she bawled for about three hours after this movie. It's well-done, but do you really want to watch it? For the record, Leeard refuses to watch this movie, for a multitude of reasons.


The Passion of the Christ - We defend this movie because it's good. It's a good movie, for what it was. What were people expecting? It was a movie about a man who died slowly and left a mark on the world that changed history, whether you believe he was God or not. Definitely a memorable, powerful, yet bloody and disturbing experience.

Nothing is Private/Towelhead - Yeah, this one aimed to shock, and so many people are going to hate it. But we loved the way this girl had one neighbor who didn’t stick her head in the sand. If, as a child, you have one capable adult on your side, that’s a powerful thing. Ballsy movie with a mix of good and terrible people.

The Reader - Well, anything where Kate Winslet is a Nazi who sleeps with a teenage boy and then ages badly is going to be on this list. This is a given. This is like putting Saving Private Ryan or Schindler’s List in this entry. It’s like….duh.

Audition - Japanese horror movie. Watch it. Seriously.

The Last House on the Left - It’s debatable whether this movie is GOOD, but, due to its content, it belongs on this list completely. Leeard liked the recent remake, too.


Se7en - A man kills people for committing the seven deadly sins in a manner that points out their deadly sin, and Brad Pitt and Morgan Freeman are the detectives after him. The ending will leave you with your mouth hanging open.

Trainspotting - This one is disturbing and fun at the same time. Yeah, that’s a combo. But it’s a really good anti-drug PSA that doesn’t leave you feeling completely pummeled like….

…..Requiem for a Dream - Another Leeard pick for this list. Leeard and Ern have a mutual friend who names this as her all-time favorite movie. (It IS good.) This friend made one of us watch it for the first time, and we looked back at her once the (ominous) credit music pounded down on our heads, and we were like, “Dude, what’s wrong with you.” We are eternally depressed by this movie. But it was good.

Rachel Getting Married - Moving family drama, but there’s at least one heartbreaking scene.

Little Children - Anything with a child molester in it is creepy. This is one you actually feel compassion for.

The Green Mile - Stephen King and Frank Darabont returned to the old prison setting (after The Shawshank Redemption, a movie almost everyone likes), and this time, they brought a little of the supernatural with them. Plus some gross executions. Fun for the whole family! (It's not, but we love this movie.)

Hard Candy - A young girl creeped on via the internet takes revenge on a sexual predator. It’s Dateline NBC on crack. She’s got her issues too, and this is the strongest role for Ellen Page, who everyone loves now.

Black Swan might be a contender for this list for a lot of people.

Dogtooth- This is an odd one, but it's really interesting.

Fish Tank- Lots of good acting, but you will be depressed by the messed-up dynamics at work here.

So there you are, sister. A list to unsettle, challenge, and creep you out.

Monday, December 20, 2010

Black Swan


Some people don’t trust movie critics. We’ve heard movie critics called too liberal, elitist, too existentialist, snobby, artsy, and boring. But you have to give them one thing: most of them have seen a lot of movies. Sure, sometimes we think they are wrong, but most critics’ tastes have been refined through lots of exposure. We don’t know that we are as good in that area. One of us only has 1,578 movies rated on Netflix. But we love movies, so we’ll give some commentary a try.

Last night we saw Black Swan, a movie lauded by most professional critics everywhere. Well, they are right this time. If the type of movie is your cup of tea, it’s really good, and all our friends thought so too (if that means anything to you). One of us was always unsure about Natalie Portman’s natural abilities as an actress, but she won us both over in this. She needs to win something for Black Swan. She did most of the dancing, according to cast, crew, and director. We don’t see how that role could have been embodied better. Also, we like that Natalie is smart (she went to Harvard) and secure. She picked her friend Mila Kunis to be in the movie with her. Natalie is gorgeous, but Mila’s face is a little less harsh, so Mila turns out prettier. We like that this didn’t bother Natalie enough to exclude her friend.

If you like horror films in general but feel that most of them are poor quality, this is the movie for you. We wouldn’t call it scary, just intense and creepy. One of us had a bad reaction to Shutter Island (even though we both thought it was pretty good). If sort of left you in a foul mood. We were afraid this would be the case with Black Swan, but we walked out happy and laughing. We don’t like the demonic feel of horror movies to leave the theatre with us, we just want to walk out having enjoyed it and remember feeling scared.

And talk about enjoying it. The movie was long, but it didn’t feel long. It was entertaining and dramatic the whole way through. Darren Aronofsky is one of those directors who likes to make a weird movie, a movie you’ve never seen before (like The Fountain), and that’s what he did here. Remember his Requiem for a Dream? This is comparable to that in tone, only more fast-paced, and it doesn't make you want to blow your head off when it's over like RfaD. The music serves to get you inside the main character’s head and force you to feel some of the tension she was feeling. We think that’s a strong point, because the music was consuming enough to make you feel like you were connected with the movie, rather than detached and laughing at the craziness (Splice, anyone?).

Warning to some: This movie is dark, and it features some girl-on-girl oral sex. Mila Kunis had her dad leave for that scene. Also, the camera work is distracting in the beginning and sort of makes you dizzy. Don’t let that worry you though; it calms down as the movie goes on. Overall, Black Swan is a well-made thriller and a good time at the theatre.

Movie Grade: A

Sunday, December 19, 2010

Dear Rappers: Show, Don't Tell

As we drift into writing a little about movies, books, and music along with TV, one of us must confess an extreme genre bias against rap music. This blogger doesn’t know a lot about it, but why would you want to find out more with the big bunch of shallow babies making it these days? First of all, most of it these days it autotuned and not at all poetic. It’s one thing to like a little Tupac, Eminem, Mr. J. Medeiros, or Kanye. At least those have some honesty, even if two of them are flocking toward self-flagellation lately to show that they are raw. Good rappers are good poets, period.

We’re probably not the first to notice this, because it’s obvious: Most of the time, rappers just rap about how great they are. This isn’t as disgusting to us as you would think, because false humility is pretty gross. But lately every song has these ingredients: 1) I’m awesome, because I have lots of sex with hot people. 2) I can dance/I have some sort of physical prowess. 3) I have lots of money and a cool car. 4) I’m gangster in some way, because I grew up in a neighborhood of unintelligent, violent people. 5) My rapping is really good and no one had better mess with me.

The most recent offender is Nicki Minaj. These bloggers like Nicki Minaj’s rapping style, because it goes from sweet to harsh in about five seconds, it’s interesting, and it’s catchy. But her cd, Pink Friday, is mostly about how much better she is than her competitors. Who? Lil' Kim, according to the news. But Lil' Kim hasn’t been making music lately. Why is Lil' Kim competition? While feuds might be good for the rap industry, because they get attention, this feud seems pretty insignificant. First of all, what are they going to do? Talk nasty. That’s it. Second of all, Lil' Kim has more “street cred” than Nicki anyway, and that should be no question. She was one of Notorious B.I.G.’s people, her raps are more disgusting (that’s a good thing in this genre), and her rap is actually hip/hop. We like Nicki, but she is more pop with a little rap. Like Ke$ha.

As inconsequential as this “competition” for glory is, since only one of them is making music, Nicki Minaj spends almost her entire album talking trash about her peers and maintaining that she is the best. (Other blogger's note: Lil' Kim started this feud, probably because she's become pretty irrelevant these days. Yes, this blogger likes Nicki Minaj)

The first track is called “I’m the Best,” and the chorus goes: “I hope they comin' for me because the top is lonely. What the **** they gon' say. I'm the best bitch doin' it, doin'. I'm the best, best, best, best. I'm the best.”

Ok, maybe so. We can’t really think of a better female M.C. right now. Point taken. But THEN she talks about it again in her song with Eminem ("Roman’s Revenge" - Seriously though,this song is awesome). Then there is a song about how she pooped on the competition ("Did It On ‘Em"). If you listen to the whole deluxe version album, there are only a few songs that don’t completely focus on Nicki Minaj and literally trying to convince us that she’s a good M.C. by talking about how much better she is than the other saddos making this “music.” You’re no Beethoven, sweetheart. And you’re no gangster, unless we are seriously misinformed about your past in The Matrix or something.

Where Nicki shines is where she puts off the posturing. "Dear Old Nicki" talks about the person she was before the fame, "Super Bass" is a funny little song about a crush, and "Last Chance" is cute and positive. Those are our favorite songs. "Roman’s Revenge" would have been good by itself, but in the context of the entire album, the theme just got old, so it killed that song (other blogger's note: no it didn't. That song is awesome).

Nicki, if you were really that great, you would make raps about life, rather than having to tell us how great you are. Spending your entire album trashing competition just makes us think that your competitors really are threats. The reason you are better as a guest star is that, although you sound good, when you make your own music, you have nothing to say.

Friday, December 17, 2010

Early Obituary - Life Unexpected

Life Unexpected will no longer air on the CW after its January 18th two-part finale at 8 p.m. Hellcats will take its spot, which is disappointing. Even though Life Unexpected had its problems, it was more watchable than Hellcats.
The last episode of LUX had Cate and Baze finding out shocking facts about Lux's past, and the mother-daughter dynamic and theme was very touching. Life Unexpected struggled with being boring when it showcased Ryan and Cate's stupid marriage problems in the first half of the season, rather than Lux's struggle to fit into her new family. But the second half of the season has a decently riveting affair with a teacher and Lux's past front-and-center.

The series finale will wrap up that storyline and have Lux fitting into her family more than ever, plus some surprises, so we recommend that you watch. Britt Robertson, who played Lux, did a good job, and we think she has a future. She has a nice, capable presence, and she could find a good home on any other teen show. The Vampire Diaries needs another female human now that Caroline has been turned....

Life Unexpected was a sweet show that tried to emphasize the importance of love and family. The scripts, plots, and the development of Cate were sometimes lacking, but overall, the show was more good than bad. One of us is sad to see it go. The other one is apathetic. We hope another show comes along and tries this sort of thing, only with the success of say, Gilmore Girls, because TV needs this sort of show. Right now, the show that embodies this spirit is Parenthood, another good one. R.I.P.

Series Grade: B-

Thursday, December 16, 2010

The Last Tests

Our last tests of the semester are tomorrow. Wish us luck! Anyway, the blog will be back in full swing after that. Thanks to Hatts for all the help, and happy holidays.

Tuesday, December 14, 2010

Golden Globe TV Nominations

Best TV Series — Drama
Boardwalk Empire
Dexter
The Good Wife
Mad Men - Leeard's pick
The Walking Dead - Ern's pick
Dexter, while always good, was not at its best this season. One of us doesn't care for Mad Men, and The Good Wife is sort of last year. This leaves Boardwalk Empire and The Walking Dead, and they are both worthy. With Scorsese, Buscemi, and the budget, Boardwalk Empire should have been much better than it was. The Walking Dead is the more notable achievement. LOST was robbed of a nomination. While the last season disappointed some, it was a lot better than at least three of these choices. Leeard isn't caught up on Mad Men, but honestly, it's probably always a good choice.

Best TV Series — Musical or Comedy
30 Rock
The Big Bang Theory
The Big C -Ern's pick
Glee
Modern Family - Leeard's pick
Nurse Jackie
30 Rock is good, but overrated. The Big Bang Theory is cute, but not on par with the other choices. Glee is slacking in season two. Nurse Jackie is not funny enough to be a comedy, even a dark one. Modern Family and The Big C are left, and because Modern Family is just repeating the same things, Ern picks The Big C. Leeard is going to go with Modern Family, because it's a very well-received network comedy, though both are worthy shows.

Best Miniseries or Made-for-TV Movie
Carlos
The Pacific
The Pillars of the Earth - Ern's pick
Temple Grandin
You Don’t Know Jack - Leeard's pick
The Pillars of Earth is the only one Ern watched, and she thought it was good. Leeard saw You Don't Know Jack and while it wasn't amazing, she can't physically make herself root against Al Pacino.

Best Actor - Drama
Steve Buscemi, Boardwalk Empire
Bryan Cranston, Breaking Bad
Michael C. Hall, Dexter
Jon Hamm, Mad Men
Hugh Laurie, House M.D.
We would be good with any of these winning, especially the first three.

Best Actress - Drama
Elisabeth Moss, Mad Men
Julianna Margulies, The Good Wife
Piper Perabo, Covert Affairs - Ern's pick
Katey Sagal, Sons of Anarchy
Kyra Sedgwick, The Closer - Leeard's pick

Best Actor - Musical or Comedy
Alec Baldwin, 30 Rock
Steve Carell, The Office
Thomas Jane, Hung
Matthew Morrison, Glee
Jim Parsons, The Big Bang Theory
Either Alec or Jim would be good. Matthew Morrison hasn't had enough material in a while and Steve Carell's Michael Scott is becoming even more uncomfortable to watch, if that's possible.

Best Actress - Musical or Comedy
Toni Collette, United States of Tara
Edie Falco, Nurse Jackie
Tina Fey, 30 Rock
Laura Linney, The Big C
Lea Michele, Glee
You really can't beat Toni Collette at much. The only one we disagree with on this worthy list is Tina Fey. She doesn't have enough charisma for acting, even though she's a funny writer. She just plays herself on that (admittedly funny) show.

Best Supporting Actor in TV Series, Mini-Series, or Made-for-TV Movie
Scott Caan, Hawaii Five-0
Chris Colfer, Glee
Chris Noth, The Good Wife
David Strathairn, Temple Grandin
Eric Stonestreet, Modern Family
Any of these are fine. Chris Colfer might win, but Eric Stonestreet is our pick.

Best Supporting Actress in TV Series, Mini-Series, or Made-for-TV Movie
Hope Davis, The Special Relationship
Jane Lynch, Glee
Kelly Macdonald, Boardwalk Empire
Julia Stiles, Dexter
Sofia Vergara, Modern Family
It's Sofia's turn.

None of these nominations are particularly interesting. Blah.

Monday, December 13, 2010

Commenting on Stephen King's 2010 Favorites

Stephen King put out a list of his top ten TV shows of the past year, with commentary. You can find his list, with pictures and his commentary, on the "recent interesting links" page. We've listened to this man ever since he dogged Stephanie Meyer's "writing." Just kidding. We've listened to him ever since he said, "I'm sick of people saying something is 'Harry Potter for adults.' Harry Potter is Harry Potter for adults." No, wait. We misremembered. We've loved him since our teenaged hands got a copy of The Gunslinger.

He usually has good taste in TV too. He turned us onto Breaking Bad a few years ago, so we will pay attention to his list. The commentary here is ours, duh.

Steve's List
10) Morning Joe - We've never seen it, but it sounds awful. Pat Buchanan is on it? You couldn't pay us to watch something with him, and both of us are Christians (Catholic counts as Christian).

9) Boardwalk Empire - Typical guy pick, Uncle Stevie, but we agree. For the most part.

8) Spongebob Squarepants - Stephen King WOULD like this. Ha. We've laughed at a few episodes before, but it's never been a favorite, even when we were kids.

7) Sons of Anarchy - We have GOT to catch up on that before next season. Way too many people we respect say that it's great.

6) Dexter - Not it's best season this year, but still enjoyable.

5) Damages - One of us has never seen it. The other one watched it like it was her job back in seasons one and two, but it got a bit too ridiculous for her. Should we catch up?

4) The Event - Ugh, disagree. Was he paid to plug this? It's been getting lots of promotion lately (in a lame attempt to save it), especially on E! Take away this life support and let it either survive on its own or die. IF ONLY it were comparable to LOST and 24.

3) Breaking Bad - Agree

2) The Walking Dead - We JUST started catching up on this (we've seen about 1.5 episodes), and so far, we agree. It's better than all the new shows combined.

1) Friday Night Lights - Surprising first pick from Stephen King (over the horror and other weird shows), but we approve. It's nice to see FNL get some love from a celebrity in its final (tear) season.

If you ask us, this list is missing The Vampire Diaries. If he can dredge up some love for Spongebob and Pat Buchanan.... And TVD is WAY more clever than The Event. TVD kept TV good for us this whole lackluster fall season.

Dexter Season 5 Finale

After last season, and with all the madness set up last episode, we expected this season to end with some sort of shocker. Well, it didn't. In fact, it was too happy. We were waiting for the other shoe to drop, and it never did. Deb didn't find out about Dexter, and that curtain thing felt like a cop-out. Everything was too neat. It's not like the people who watch Dexter watch it for a nice love story, a subtle and poignant ending, and a sweet little birthday party. NO! We want dead Ritas, blown up Doakeses, revelations, Dexter hunted, rival serial killers, cliffhangers, mysteries, and some good killings.

However, this interview with the producers makes us feel better about the season: http://insidetv.ew.com/2010/12/13/dexter-season-5-finale-the-big-one-sara-colleton/

We especially like the quote, "Eventually, some season is going to have to deal with Deb finding out about Dexter." Yes, it is. Seriously, every Dexter viewer should read that interview. It doesn't spoil anything that's going to happen next season; it just talks about what happened in this season that is actually important.

After some thought (and reading that interview), we realize that this season was a vital step for the characters, especially Deb, Dexter, and even Harrison. Deb opened her mind to the grey areas in life, and Dexter found healing after Rita's demise. It was appropriate to spend a season on the mourning of Rita. Deb wasn't ready to find out about her brother, and after the finale, she probably is.

But we all wanted the shocker.

Episode grade: B-
Season grade: B-
(All Dexter season grades, for comparison- Season one: B+, Season two: B-, Season three: B, Season four: A)

Saturday, December 11, 2010

Bones - The Doctor in the Photo recap/review with help from Hatts

Turkey dinner at Brennan’s house apparently includes a blow-by-blow analysis of the main course’s final moments in the slaughterhouse. Her guests, the whole squint crew (plus Hannah and Booth), were less-than-charmed by this party trick, but we found it adorable. Fortunately, they were saved from choking down their dinner by a call from Cam.

This week’s murder happened in a bad neighborhood about 11 months ago, and the body was found enmeshed in the roots of a growing tree. The female victim was a very sophisticated heart surgeon whose weight and height matched Brennan's. This might not have been enough to creep Bones out had she not found a dolphin ring identical to her own on the victim’s skeletal hand. The rest of this highly anticipated episode followed Brennan's decent into a delusional obsession over the similarities between her and the dead surgeon.

Brennan spent sleepless nights in the lab trying to solve the murder while listening to the victim’s recorded medical journal entries. But when Lauren (the victim) spoke in Brennan’s head, she spoke in Brennan’s own voice. As the episodes progressed, Brennan conducted imaginary conversations with the voice, because she felt that because of the similarities she shared with Lauren, she knew Lauren enough to do “her side.” Brennan was visited by the night guard (played by the same guy who was Keith Mars). This episode was a treat for Veronica Mars fans, because two V-Mars actors graced this Bones episode. The night guard quoted all the free Smithsonian lectures he attended to steer Bones deeper into her self-reflection. One of us thought this was a nicely written, sweet part for the absolutely loveable night guard. The other blogger thought it was weird and out-of-place.

It turned out that, in order to survive the emotional toll of the death of young patients, Lauren had become emotionally detached. Whenever she was under great emotional strain, yet felt numb, she would engage in dangerous activities “in order to feel something.” Her death was the result of a car accident in a bad neighborhood where Lauren was buying heroine from a drug dealer, just for the thrill of it. There was an airplane pilot who was in love with Lauren, and being closed-off emotionally because she was fragile, she rejected him. Brennan told the pilot that not giving him a chance was Lauren’s biggest regret. It was around this moment that Brennan realized that she had made the same mistake when she didn’t say yes to Booth last year.

DUH. Oh Brennan, if we didn’t love you so much….

Brennan hurried to the neighborhood where the murder occurred and bent down to check out a road reflector that had possibly tripped Lauren. Lost in the task of blindly following her intuition (a first for Brennan), she didn’t notice a car racing toward her in the pouring rain. Fortunately, Booth appeared to pull her out of harm’s way. He said he was “following her into a bad part of town and saving her life, you know, the usual.” On the ride home, Brennan told Booth that turning him down was something she regrets. A pained Booth quietly insisted that he had moved on, Hannah was not a consolation prize, and that Brennan would get over the pain, because he did. Brennan burst into tears, which isn’t common.

If you like the quippy, “git r done” Booth a la season one, he was back in this episode. This Brennan-centric episode had most of the side characters benched. It looks like Hannah is sticking around, so those of you who have grown fond of her despite her DATING BOOTH WHEN HE SHOULD BE WITH BONES are lucky. This episode had a different tone than most episodes, but it was a long time coming. Brennan reflected at the end that, during the time covered in the episode (three days), the world turned upside down. It was a strange one, that’s for sure.

It left us really sad, because Lauren helped us understand Brennan, and they are both pretty tragic figures. Plus, we really want Booth with Brennan. We can’t believe she reached out and then got her heart broken. UGH. We like a Bones episode that pays attention to the Booth/Brennan imminent love relationship though. This was less of a procedural episode, and more of an intrinsic, character-driven episode for longtime watchers of Bones. We think Brennan's realization and admission will, in the long run, propel the two closer toward a relationship, so we are happy, overall. Even so, that was tragic.

Episode grade: B. We missed the humor and side characters.

Friday, December 10, 2010

The Office - Classy Christmas review

Be still our hearts. That was an actual good episode of The Office last night. Last week’s was about a B, and this week raised it to an A-. Can the show keep this streak of decency up? Here's hoping.

This week, Holly came back, which was great, but she re-broke Michael’s heart. Fortunately, Kelly and the girls planted the idea of an ultimatum to her boyfriend in Holly’s head, so Michael might get her later. We loved Erin not understanding what the big deal about Holly was. Michael’s idea of a classy Christmas party was funny, and Michael had a lot of good lines.

Another great thing about this episode involved a (long) snowball fight between Dwight and Jim…that Dwight absolutely won. We love it when these two go up against each other. Also, Jim absolutely deserved it. He started it by pelting Dwight right in the face with a snowball while Dwight was working. A) Battery, and B) Ouch. We loved how Dwight has a wig to help him impersonate everyone in the office.

Rainn Wilson should direct more episodes. And episode writer Mindy Kaling can just go ahead and write them all as far as we are concerned because, judging from the rest of this season, she's the only funny writer left.

Episode Grade: A-

The Vampire Diaries - By the Light of the Moon review

Stefan got out of the tomb, and Katherine didn’t even get to kiss him. She barely got to taunt him. And, as much as we loathe getting into body talk, does anyone else think that Katherine’s body would have looked less awkward with five-to-ten more pounds on it? She’s so long that her bones can make her look too harsh and angular when they stick out from being a stick. If this is Nina Dobrev's natural weight, then fine. But if (as we suspect) she has to kill herself to have it, she shouldn't work so hard. She'd look better with some LBs. Not worth it. We saw another reviewer compliment her "curves." Sorry, but hip bones are not curves. Hip bones are hips, and most women have them.

During Tyler’s transformation weren’t sure if we wanted Caroline to leave or for her to stay as long as possible. The transformation scene was about as hard-core and satisfying (no, not that way, even though Tyler has a great body) as one could expect from this show. The end of the ordeal, where Tyler cried and Caroline held him, hammered in the fact that these two are going to get closer after this episode. We know the rift is going to be when he finds out that Caroline has been lying to him about being the only vampire in town and about the death of his uncle. Jules is going to tell him. There, show predicted.

Speaking of Jules, we both hate her. But if her bite kills off the annoying English Rose, we will start liking Jules more. We like seeing Damon have to wrestle with his feelings, and Rose dying would bring more of those to the forefront. As far as the two newest love triangles go, we are still shipping Caroline and Matt (mostly). And Jeremy is much hotter (and more well-intentioned) than Luka. And also hotter.

We will have until January to wonder what Elijah is up to, how he can slither through the loopholes of his verbal contract just enough to wreak havoc without breaking his word, and get really excited for the second half of this raucous season.

Episode grade: A-